Chris Quits – Part 2


Today wasn’t off to the brightest start. Chris had told ATP he was quitting and heading back to London on Friday (tomorrow). Dominic Smithers had booked his flight for this evening. Terry was determined to go and he told Ray to start phoning around for new jobs.

I’d also heard that ATP were combing through Chris’s contract trying to find loopholes to force him to stay. I was a bit baffled by that as it was my understanding Chris never signed (see earlier blog entry on this). I guess I’ll find more out about this later.

But shortly after breakfast, Terry gave me an update. Andrew McEwan and Simon had told Ray and Terry that Talal had called Chris and was of the impression that Chris would be back in two weeks. This, despite Chris having sent him an email last night saying he had quit.

Then Chris went to tell Ahmed the news. Ahmed didn’t yet know any of this. An hour later Andrew saw him out on the street shouting into his phone. Then not long after this I bumped into Simon and Dominic in the hallway. Simon asked me my plans. I said I was staying for now to see what happens. I asked him his plans. He said he was “terrified” after what he’d just heard was happening to Chris.

He then wandered off and Dominic told me that Simon had just told him to be ready to go to the airport at a moment’s notice. That seemed very dramatic, I thought, and I asked why. Dom said that ATP (and he thinks Ahmed) had just come down on Chris like a ton of bricks. I asked how that was possible. Dom added that he did not know but that Simon had told him that ATP might demand to have our passports to stop us leaving.

He then told me that Ahmed had been stunned by Chris’s statement. Apparently, he had not seen it coming. We both marvelled at how naive Ahmed can be. I want to say this in Ahmed’s defence. He is 26 and out of his depth. He needs good people around him on this job, looking after his interests, but all he has is ATP.

As Dom told me this, Issam came wandering up – all casual – and said to Smithers, “Here is what I can do for you. I can offer you work back in Jordan on Malik.” At that point, I wandered off. We all know what a farce Malik is. And this for a company that has no morality at all. How could Dom possibly say, “Yes”?

Clearly, it is really going to kick off big time over the next few days. We are supposed to be paid on Sunday. That may be in jeopardy as ATP attempt to force control over us with whatever they have.

On an unrelated footnote, I heard yesterday that a few years ago when this was all starting up, the Qatari investors paid ATP US$3 million to do a feasibility study into shooting “Medinah” in Qatar. Such a study would normally cost about $80,000. So where did the rest of the money go?

Oh, one last thing; I have heard several times now that ATP thought they did not have to provide audited accounts because it was private money. But it is not private money; it is the Qatari governments money and, as a consequence of ATP’s failure to deliver, they have been ordered to provide audited accounts. The problem ATP has is that they have received over $10 million and there is no way they have spent more than $3 million on the show. At a meeting earlier this week which I shall talk about tomorrow, Ahmed was finally compelled to say to Abdul, “Where is all the money?” What happened I’ll explain tomorrow.

Natasha


Natasha is a make-up artist who was working on Malik. Two weeks ago she was told she is no longer needed. She is still getting wages but no per diems and, despite numerous requests to Production for a flight home, she has received no answer. She is stuck here without any per diems, essentially being held hostage by ATP.

ATG’s Hidden Agenda?


It’s difficult to keep up with this blog.

Typically, a blogger may have a few things to report each week. But with ATG there’s usually an avalanche. The last week has been no exception.

Three times in the last week, I have been told the exact same thing by Anwar, Sari and Fozan; “Talal is smart. He has a mission. No-one but him and Ibrahim know what it is but it’ll be smart.”

Abdul (a pseudonym I am using to protect the identity of certain ATG employees) – as much as I have come to like him – has an ego and he cannot help but tell more. Yesterday, he told me that Talal had called him the night before and over 45 minutes had proceeded to tell him that he aims to shoot episodes 12 (with Simon as director) and 17 (with Ahmed as director) and to use episode 17 to prove how incompetent Ahmed is so that Ahmed will then be fired.

At which point, Talal will have complete control. He can then fire the English Art Dept crew, get rid of Simon the director, promote Fozan to the position of designer, and promote Anwar to the position of show director.

Abdul told me this in strictest confidence of course. He also said he told Talal that the only three people he respects in the English Art Dept are Dominic Smithers, Ray Perry and myself. Of course, none of us are HoDs, and Abdul has to say this because he can’t say I’ll get fired! But of course I know I will.

None of this is news to me though. I’ve believed for weeks that Talal is plotting to get rid of Ahmed and then he can fire us as well (Talal cannot fire us without Ahmed’s consent) and promote Fozan to designer and someone else to director.

Something else happened yesterday which only adds to my conviction that the above is true. A DoP turned up a few days ago to work on “Malik” but he found out – much to his surprise – that “Malik” already has a DoP!

I met the guy at the pub last night. He was there despite the fact “Malik” is filming because he has nothing to do! So I asked him if he’d signed ATG’s contract and he said he had.

This is the same contract we had been given and it says an ATG employee must work on any and all productions they are told to. And indeed, Ibrahim told him yesterday that he should not worry that he is not working on “Malik” because he will be doing “Medinah” soon.

The problem is that “Medinah” already has a DoP.

Larry Smith has worked with Stanley Kubrick, Nicholas Winding-Rehn, and has done some very excellent work. He got here earlier this week. And yet somehow Ibrahim is already telling this other (unknown) DoP not to worry because he’ll be doing “Medinah” soon.

Am I surprised? No.

This is the point where Simon may quit, Chris will follow, and the shoot will be thrown into chaos and Talal will come to the rescue. Will Fozan step in as designer? Maybe.

It’s possible that this is Talal’s real game-plan: force out the English crew, appoint Anwar to direct episode 12, Fozan to design the show, leave Ahmed to direct episode 17 and make sure he goes over-budget and has something unworkable, and then Talal will be perfectly justified in telling the Qatari financiers that they must give him full control and let him do it his way.

But Talal has a problem. First, as rumour has it, he has recently lost contracts with NBC and the Dubai people which will make it difficult for him to sell his most recent show (which should be a reason for him to make this show work his way all the more), and there is a substantial email and paper trail to show that his handling of “Medinah” has been less than professional.

Although Talal and Ibrahim have made it impossible for the Art Dept to realise Chris’s and Ahmed’s vision, this does not mean there is no vision.

And we can prove it. Unlike ATG, we have strived to create the show the Qatari investors are expecting in terms of scope and audience expectation and we have the ‘paper trail’ to prove it. Meanwhile, ATG are trying to squeeze it, to save money left right and centre. But why?

I come back to my point – and I’ve told Sari, Fozan, Anwar and Anthony Bluff this – $37.5 million ($45 million if you include ATG’s fee for producing a single season of the show) for 20 episodes of “Medinah” in Jordan is worth more than $100 million for 10 episodes of Game Of Thrones in the UK.

The fact is that, comparatively speaking, we have a bigger budget per episode for “Medinah” than “Game Of Thrones”, so why is it Anwar and Talal and Ibrahim are all saying there is not enough money?

Taybet Zaman

Taybet Zaman & Misappropriation Of Crew


Fozan and I recced Taybet Zaman today for the Fortress set build and we both agreed – it is far from ideal.

The fortress should be impressive. The Taybet Zaman courtyard is small. Ideally it should be built on a backlot, but ATG has already failed to get a backlot twice and while they claim to be looking at a third one they have not even invited us to see it this time!

It became abundantly clear that Fozan is working on “Malik” today. When I asked Sari about it he sheepishly said, “He is helping out.” But Fozan journeyed to Taybet Zaman in the new “Malik” director’s car today, spent very nearly all of the day with them, and journeyed back with him. I barely saw or spoke to him. This despite Ibrahim promising me that Fozan was now 100% committed to “Medinah”. Clearly, Ibrahim lied.

Meantime, Anwar and Majid journeyed to London today for a week to do some filming on another show – again despite the fact they know – and we know – that their contract with “Medinah’s” investors requires that they commit 100% to “Medinah”.

And while they’re in London not working on “Medinah”, and Fozan is working on at least one other ATG production, Talal has gone to Doha to tell the investors to cough up further payments so ATG can spend more money ‘on’ a show some of its alleged crew aren’t even working on.

Email To Chris Richmond


On way to recce today. I just sent this email to the designer, Chris Richmond. From what I have been told, ATG’s contract with the financiers clearly states “Medinah” crew cannot work on other shows. Hasn’t stopped them though. They do it all the time.

Email as follows:-

Off to do recce today. No scaffolder organised by Fozan despite his saying he would. No plasterer because fibre glass company insistent it is not necessary. So going to let them try it their way this week from high-res photos then tell them it’s not good enough. 

Fozan is working on “Malik” despite Ibrahim promising he would not be. Sari admitted it. It’s also obvious because Fozan is going down to Taybet Zaman in a second minibus with “Malik’s” new director. 

Fozan has enough to get on with while I’m away. Fibre glass moulds should be ready by the time I am back.

Talal and Ibrahim are going to Doha because financiers are allegedly too slow paying up.

Anwar, Majid, etc., are going to London to shoot another show. 

So it would seem that all these people who are meant to only work on “Medinah” according to the terms of ATG’s agreement with the financiers are all busy working on other projects this week.

Shoot date now postponed till July 25th. I assume they mean this year.

Dom