The Circle & The Square


This morning before Abdul ambushed me, the UK crew spoke about how this show would probably never happen. The problem is that both sides are guilty. The argument goes like this;

ATG: There’s not enough money. We can’t make the show.
Investors: You promised to make all 20 episodes for this amount of money. Make it happen.
ATG: There’s not enough money. We can’t make the show.
Investors: You promised to make all 20 episodes for this amount of money. Make it happen.
ATG: There’s not enough money. We can’t make the show.
Investors: You promised to make all 20 episodes for this amount of money. Make it happen.

And so on…

And so the point is that the show will never get made.

We did discuss three options however;

  1. The show is made as an ATG+ show – meaning slightly better than their usual rubbish.
  2. It never gets made.
  3. ATG spend $5-10 million on the pilot then hand the rest of the money back.

I agreed that the only logical option was option 3. At least then the investors might be so impressed they bankroll the rest of the show. The ATG get the rest of the money.

But Ahmed allegedly sees a fourth option. He apparently insists they can do it by hiring cheap labour from places like South Africa. Clearly he does not get that cheap labour is unskilled labour and filmmaking is a skilled job. Personally, I’m concerned about a Qatari talking about hiring cheap labour. Their track record for doing this is not great.

So the UK crew is right. Both sides are to blame.

But none of the above had anything to do with the alleged disappearance of the bulk of the money. That is another issue. And the fact that if this show had been placed into the hands of a real production company and shot in Jordan, it *would* have been possible for the money the show had.

For example, (and I figured this out months ago) the fortress set. Cost in UK = £35,000. Cost in Jordan = £7,000. One 1/5th the cost. If you follow that logic through to it’s natural conclusion, that means $40 million in Jordan is equivalent to $200,000 in the UK. Ten episodes of GAME OF THRONES costs £100 million. That’s £10 million each. Cost of one episode of MEDINAH as shot in Jordan equals $2 million which is equivalent to $10 million in the UK. In other words, if shot in Jordan, the cost per episode of MEDINAH was exactly the same as GAME OF THRONES. But we are not shooting in Jordan. We are shooting in Qatar. Why? Because the Qatari investors no longer trust ATG because Talal told Ahmed the fortress set was going to cost $250-500K!

So you can say that it is both sides fault, but we got here because of the kind of company ATG is and the kind of crook Talal is. If they had been a real production company, everything would be fine.

Ergo, Arab Telemedia Group has killed MEDINAH.

The Truth Is Out……


So I’ve been promising a major bit of news and here it is.

After it all went off over the wages, Issam, Chris and Simon decided we should all have a meeting to discuss the email that we had sent (see below).

Screen Shot 2015-08-14 at 13.39.34

As you will see, the email was to the point, factual, and decisive. It was written by more than one person, sent from an anonymous account so ATG could not victimise anyone, and signed alphabetically so they could not pinpoint a hierarchy.

The next day, ATG had a crisis meeting and on the Sunday they responded with this email;

Praxino Mail – Unpaid Wages

(click link above to see full email)

Praxino Mail - Unpaid Wages copy

It runs for several pages (4) and is remarkable in that it manages to turn our “to the point, factual, and decisive” email into something else. ATG clearly put a lot of work into this email. They must have, because there are so many lies. Not one thing in it is true. But let’s start with the rather bizarre insinuation that our email represents a conspiracy! Why did they do this?

The answer to this question is best represented by how Abdul began the meeting. He started by labouring the fact that ATG was concerned about the email because it suggested a conspiracy intended to sabotage the show (!) and that if we had problems he would rather we approach him one-on-one. Why did he say this? Because ATG like to bully and while they can bully individuals, they cannot bully a group. So Abdul’s statement had nothing to do with fixing problems and everything to do with “fixing us”.

But all of this is nothing compared to what happened half an hour into the meeting.

I think it was me who initially pushed the point about the fact that Abdul was compromised because ATG owes him US$40,000+. I pointed out that he was supposed to look after the investors’ interests but how could he when ATG owed him so much money? He asked me what it had to do with me and why did I care? I said I cared about people doing what was right and ATG were not doing what was right by him. It was then that things started to unravel.

Abdul explained that he did not mind being owed so much money because he could afford to take “a hit”. For example, he said, “If four payments are owed, two to me and two to Ray, I’m happy for him to be paid.” At which point Chris said, “Well that obviously means there is a cash flow problem.” Abdul then said that was not the case, at which point we started going round in circles as Chris, myself (and I think Terry) started to question his logic;

“If there isn’t a cash flow problem, why aren’t they paying you?”
“Well, because they can’t right now.”
“So there is a cash flow problem?”
“No, there isn’t.”
“So why aren’t they paying you? If they have the cash, what is stopping them?”
“Well they have had a problem making payments.”
“For four months! They’re paying us. How come they can’t pay you?”
“Because they can’t.”
“Then there is a cash flow problem?”

Or words to the above affect. At which point a studio representative, who had been quietly listening said, “I don’t understand, Where is all the money we just gave you?”

We could all see that Abdul knew he was in trouble. He tried to make excuses, then the studio rep dropped the final blow.

“This makes me think ATG must be spending Medinah’s money on it’s other shows.”

Terry and I both saw a look of utter horror flicker across Abdul’s face. He quickly made excuses. But at that point everyone around the table knew – the studio rep had just said he knew what ATG was up to. It was out there. And Abdul was cornered.

But it was at that point we backed off.

We all know Abdul is cornered. ATG owes him $40,000-plus and they are using it to control him. He is their puppet, and they can make him dance as much as they like.

While we have no actual proof that ATG is embezzling money and everything I say in this blog is alleged only, Abdul signs contracts and agreements and payments. If ATG is up to no good, and we all firmly believe that is the case, he is directly in the firing line. It’s no accident ATG sent Abdul and Majid to Doha alone. Majid has no authority and Abdul is expendable. Chris and I have discussed the fact that if ATG do get caught, we believe Talal and Fadi would go to jail. The same could be true of Abdul.

For anyone who would like to deny the above conversation ever took place, well, I recorded it.

Taybet Zaman

Taybet Zaman & Misappropriation Of Crew


Fozan and I recced Taybet Zaman today for the Fortress set build and we both agreed – it is far from ideal.

The fortress should be impressive. The Taybet Zaman courtyard is small. Ideally it should be built on a backlot, but ATG has already failed to get a backlot twice and while they claim to be looking at a third one they have not even invited us to see it this time!

It became abundantly clear that Fozan is working on “Malik” today. When I asked Sari about it he sheepishly said, “He is helping out.” But Fozan journeyed to Taybet Zaman in the new “Malik” director’s car today, spent very nearly all of the day with them, and journeyed back with him. I barely saw or spoke to him. This despite Ibrahim promising me that Fozan was now 100% committed to “Medinah”. Clearly, Ibrahim lied.

Meantime, Anwar and Majid journeyed to London today for a week to do some filming on another show – again despite the fact they know – and we know – that their contract with “Medinah’s” investors requires that they commit 100% to “Medinah”.

And while they’re in London not working on “Medinah”, and Fozan is working on at least one other ATG production, Talal has gone to Doha to tell the investors to cough up further payments so ATG can spend more money ‘on’ a show some of its alleged crew aren’t even working on.