Arrested Development


It’s been a month since I made an entry in this blog. The truth is that it is exhausting enough having to deal with this company never mind having to have to write about it afterwards.

Currently we are in Doha, Qatar. We arrived on Saturday and already the rot has begun to set in.

Yesterday, I had a meeting with Ahmed – the series creator – in which I asked him what it was he was hoping to get now we were here. Meantime, I was told today by Ray Perry, who had spoken to Terry, that Ibrahim had been heard saying that filming of the series was never going to happen in Doha. This did not bode well.

Several weeks earlier, I have been told by Abdul that Talal had told him that the series would never be shot in Doha. Apparently, Talal told Abdul that ATG would “go through the motions” (or words to that affect) and act like it really intended to shoot the series in Doha, but when the Qatari people found out how much it was going to cost to film in Doha they would panic and the shoot would revert back to Jordan. That might explain why ATG has been working feverishly on a first season budget which, I have heard, will top $125 million.

This seems to fall in line with Arab Telemedia’s Production Crew’s behaviour here in Qatar. So far they’ve bought over the absolute barest minimum of Arab Telemedia crew. They have taken all of the good people we had, kept them in Jordan, and attempted to stick them on other projects being produced by Arab Telemedia. Meantime, nothing is really happening here apart from meetings.

Take for example Abdul. Currently he is stuck at Arab Telemedia 1 in Jordan where he is being hassled to work on other projects. This is despite the fact that Chris and I have repeatedly told Arab Telemedia’s producers that we need him with us. But Arab Telemedia simply doesn’t care what we think.

The story of Abdul’s failure to end up working here in Qatar is highly representative of the unethical and insidious work practices of Arab Telemedia. When we first said that we needed Abdul to come with us, he was repeatedly offered work as a full-time employee at Arab Telemedia. However, he kept turning the offers down. When it became clear to Arab Telemedia that he was not going to agree to become a full-time employee, Arab Telemedia went cold on the idea of allowing us to bring him to Qatar.

The question is why?

My own personal suspicion, and this has been mentioned by several other people, is that Arab Telemedia would have been happy for him to come here if he was an employee of the company because they could pay him a pittance while charging the investors considerably more. However, since Abdul refused to be an employee they were not able to use him as a ‘cash cow’. As a consequence, they refused to allow him to come despite the fact he is an essential and integral part of the Art Department.

Another theory is that’s Ibrahim blocked Abdul coming because Abdul has had arguments in the past with Ibrahim because ATG always pays Abdul late (at one point, nearly six weeks late). So the arguments have always revolve around Ibrahim’s broken promises and Arab Telemedia’s constant failure to pay Abdul’s wages on time.

In an interview today, an ATG employee – Khaldoon – told Abdul that if he became a full-time employee he would no longer have to worry about being paid on time. This was a threat and an acknowledgement of their principle of not paying freelancers properly in an effort to wear them down and make them staff.

Currently Chris is threatening to quit “Medinah” if they do not get Abdul out here. Another reason Chris is threatening to quit is that Arab Telemedia has not paid his wages for the last 4 1/2 weeks. Arab Telemedia cannot claim this is “accidental” because Chris has been reminding them of their failure to pay his wages for the last month. I might also add that the rest of the art department is behind on receiving their wages too.

Before EID (a Arabic festival that took place two weekends ago), Issam was working in the Art Department buildings – a ten minute drive from the production offices as the show’s Line Producer. Line Producers normally wield a lot of power, but it was my observation that ATG had intentionally managed to make Issam powerless by not paying him (at this time, they haven’t paid him for three months!).

Anyway, when Talal got back from Doha, it wasn’t long before things suddenly changed. Issam disappeared. We soon discovered that he was now working in the main offices of Arab Telemedia. But not only had he changed location, his attitude had changed as well. Once a friend to the Art Department, he was now “one of them”. What had suddenly switched Dr Jekyll into Mr Hyde…?

(On an aside, it is ridiculous that the UK crew and ATG see each other as enemies. We try hard not to but they very clearly see us as the enemy and nothing we do to placate them seems t change that. More on this in a later blog entry).

What we heard, which makes sense, was that as a result of Talal’s meeting with the investors in Doha in which – I presume – his lie about the cost of the fortress set was exposed, Issam was to be granted more powers. By the time we relocated to Doha, Issam would be signing for payments as well.

It does not take much imagination to realise what had happened. After Talal was told by the investors that Issam must be granted more power, you would thin that Talal has a problem. But he did not, because at this point Issam was owed around $30-40,000. All Talal had to do was to threaten to not pay Issam and to keep him close by. This is why Issam had suddenly switched sides – he had no choice.

You could argue that Issam is a victim in this situation. And you would be right. The result is that the show has become thoroughly compromised because the Line Producer is supposed to act on behalf of the investors. But Talal has nailed Issam to the wall with the money he is owed. So clearly Issam cannot act on the show’s behalf. How he feels about this, I do not know. 

Today, there was a meeting between the Production and the Art Department to discuss our plan of action over the next 12 weeks. Chris very nearly did not attend.

Last night, he had emailed Issam telling him he was no longer a part of the Medinah team. This was because he had not been paid for the last five weeks, and because Production continued to refuse to bring Abdul over to Qatar. But Chris’s resignation was also a consequence of another ongoing issue.

For the last few weeks we had regularly been emailing Production a “list of things to be done by Production” so that the Art Department could get on with their work. Some of those things were difficult. Others were easy. Others should have been easy. But to date Production has pretty much done none of them.

Last night, Issam sent an email in response to this list in which he accused the Art Department of being hellbent on making life difficult for Production. He then proceeded to go through each point saying why they were effectively each the fault of the Art Department. I shall include that list below so you can decide for yourself. The point of the list was not to make life difficult for Production. It was to see if Production would start to do their job properly again. But the real reason Issam sent that email was to arrest control from the Art Department and to give it back to Production through the meeting we had today. In short, our Art Dept list was to be replaced by today’s Production list that would be cobbled together by Anwar.

Earlier yesterday evening, Chris had a major confrontation with Production and Ahmed over his wages and ATG’s failure to bring Abdul to Qatar. By all accounts, it did not go well. As a result of the meeting and Issam’s email, Chris had had enough and he emailed Issam to say that he had quit.

Despite this, Chris arrived at the meeting having been persuaded to attend by Simon, the director. Ironically Simon later said that Chris should not have attended the meeting because it made his and everybody else’s threats look hollow. (I have been saying this for weeks!) That said, the meeting began somewhat amicably.

Towards the latter part of the afternoon, I brought up the subject of the Construction Manager. Issam had claimed in the previous night’s email, that I had not provided him with contact details for any construction managers (which was not true as I had provided him with them the previous day, the previous Thursday, and the previous Wednesday). I had also told him that we had lost two CMs – Perry and Hugo – and several other construction managers I had approached because of ATP’s refusal to make a commitment. I made the point that we were in a very difficult situation. I told everyone present that we had only one option for a construction manager left.

Ben, an Australian construction manager, had told me that he was available and interested. I had emailed his details to Issam twice the previous week and again yesterday. Issam finally contacted Ben by email and made an offer that threatened to jeopardise Ben’s involvement in the show. Why? Ben had asked if it was a five or six day week. Issam wrote back saying the pay was way below what Ben would expect and that it was also a six-day week. His approach was like a bull in a China shop – almost as if the intention was to alienate Ben.

The entire UK Art Department then preceded to tell Issam that if we were to force the issue of the six-day we would likely lose Ben. Issam was very unhappy about this. He said that his concern was that if he allowed Ben to do a five-day week this would snowball and it would not be long before the entire Art Department wanted a five-day week. We acknowledged that this was a problem. But the point that I stressed was that hiring a CM was a more immediate problem since there were no other options – ATP had exhausted the all.

A good half hour went by while Production, and to a lesser degree Ahmed, argued about how they should agree a five-day week. I kept saying it was because we no longer had a choice. I did not point out that we no longer had a choice because Issam had repeatedly screwed up hiring a construction manager capable of doing the job. (a previous CM had agreed to do it for ATP’s proposed rate but they’d messed him about so much he went and got another job).

Finally, Issam stormed out of the office accusing the Art Department of bullying him and being unreasonable. First Smithers and then I went out to talk to him. We explained that we were not bullying him; rather we were trying to resolve a very serious problem because without a construction manager capable of handling a show of this size there would be no sets, which meant there would be no show.

I had already said in the meeting that if we did not choose Ben and instead decided to see if we could find someone else it would be like playing Russian roulette. Issam refused to believe there could be no other construction managers left. I agreed. I said that was not the problem; the problem was that we had exhausted all of our leads and we had no idea how to find good construction managers who might be available. I said that we might be lucky and find one tomorrow or it could be a week or it could be a month. Our problem, I said, was that we did not have time to find this out because the construction manager was already supposed to be breaking down set plans weeks ago.

Things calmed down. But we were left with a very real problem. And it’s the same problem we’ve had since I got here 4 1/2 months ago and before that when Chris got here and Simon; Arab Telemedia do not listen.

They accuse everybody else of not listening but they fail to listen in the meantime. Issam remarked that we seem hellbent on only using UK crew. We told him that we have every intention of using local crew and training them up but we can only do that if we have the UK crew to train them. Issam said we had made no effort at all to work with local crew. I told him that that was not true and that he knew it because I’d spent the last two months trying to work with Fozan despite Fozan not being a construction manager.

Arguing with ATG employees — and Issam is now one of them — is like arguing with a child. I do wonder if I should read “How To Talk To Children So They’ll Listen”. It really is that bad. If they don’t like what they hear, they don’t hear it. If they don’t like what they see, they don’t see it. They are an impossible company.

In conclusion, we are no more further forward then we were when we were in Jordan. We have lost Abdul, the only person we had who was capable of doing some of the specialised work we need. We have lost Sari who was the only person in Production who seemed to have any idea what he was doing. We have effectively lost Issam who has now become a “tool” (willing or not, I don’t know) of Arab Telemedia.

Meantime, Arab Telemedia is playing the waiting game. Talal told Abdul it was only a matter of time before the shoot went back to Jordan. Two days ago, Ibrahim was overheard saying that this show was never going to get filmed. He may have meant in Qatar. I don’t know.

Ahmed told me yesterday that the budget now is the same as it has always been. This means the budget is still approximately $40 million. I also know that ATG has ordered Issam to do a budget (for filming in Qatar) that is over $100 million. When Ahmed sees that budget he will be furious. This is clearly part of Arab Telemedia’s game-plan. They want a budget that will force the show back to Jordan where Ahmed and the Studio cannot keep an eye on ATG.

The perversity of all this (and I’ve said this before) is that the show could have been shot for $40 million. It just required people who knew what they are doing, and Arab Telemedia clearly not. They haven’t even done something as simple as fix the script locations despite having had months to do it. Today, the production manager, Majid, was out buying shopping bags full of water and biscuits for our meeting. I don’t think I’ve seen a production manager do that since I was a student at film school.

And that pretty much sums this entire production up…

…a show led by a bunch of film students telling a bunch of seasoned professionals how to do the job. There is not a hope in Hell of this show ever getting made so long as Arab Telemedia continues to be attached to it. I suspect they will shoot something eventually, just so they can pretend they were serious about doing so, but they will do it their way and then blame the resultant debacle on the director.

ATG has to go. The question is, when will this happen? And will the show survive it? Or will all the money be gone by then…?


NOTE ADDED May 20th, 2016 (as I forgot to add it at the time of writing the above entry!) – The following email and list was sent to ATG on July 14th, 2015. After which observed ATG do practically nothing on this list within the timeframe specified (they did hire Rita and give Ray a car, but that was practically it). When we continued to update this list showing that ATP was doing next to nothing, they got aggressive and started accusing us of attempting to sabotage the show (while all the time not paying our wages too):-

Email From Chris to Arab Telemedia suggesting way forward

The Way Forward For Arab Telemedia Page 1

The Way Forward For Arab Telemedia Page 2

The Way Forward For Arab Telemedia Page 3

The Way Forward For Arab Telemedia Page 4

And The Crisis Just Keeps On Rolling (Unlike Our Cameras)


There’s been lots of discussion today.

Turns out the reason Chris was not in the office is because he was on Skype all morning to Ahmed who continues to be very angry. Ahmed is insisting that it is the studio who are insisting the production move to Qatar.

I feel strongly that the focus should be on making Ahmed feel better. He has invested a lot of time and his professional name in this show. He may only be 26. He may not be that experienced. But that is when it matters most. Once you are established, you can afford to mess up and move on and rely on past credits and experience to bail you out. But when you have neither, that is when it threatens to destroy your career and it is no surprise you feel angry and in jeopardy.

I recall how when I was 26 I faced a similar experience and had to sue a producer named Simon De Selva for attempted copyright theft. I won. He declared his company bankrupt and I got my script back. But it was several years before I felt like writing again. At that age, these things can matter and they can matter a lot. I wonder if the people on this show know that?

Which is why I’m sceptical the right approach is being taken on fixing this. Bob told us an hour ago that right now neither episode 12 or 17 is being filmed. The show has ground to an absolute halt. Ahmed wants to know why we are not packing.

This is crunch week. By the end of it we will be moving to Doha or not. If we are, we have massive budget problems to face because this show cannot be filmed in Doha with the budget that has been allocated for Jordan. Today, Issam told us that when the contract was negotiated between Talal and the studio, Talal had to do due diligence to be certain that the show could be done in Qatar. It was Talal’s job to factor in the very hot summers (55 degrees C) that occur there, the lack of suitable terrain, and so on. Now Talal is saying we cannot shoot there because it is too hot and Ahmed is rightly saying that Talal has no choice because he agreed to it.

But no-one in this crew will agree to that. Right now the only two people who have said they will go to Doha is Ray and myself. And, of course, ATP. But Chris is convinced that Ahmed wants ATP out, and I’m inclined to agree. Why else is Ahmed writing out a list of ATP’s contractual obligations and demanding that they be met? Amongst them is the August deadline to begin shooting something and the November 1st deadline to begin shooting specific parts of Medinah.

I think we can meet both deadlines but only if ATP sorts out their accounting and procurement procedure. If they do this, I’ll do whatever I can to help ATP. Some big changes need to happen in the next week. But ATP seems clueless (or is pretending to be).

And the studio is Qatari.

This is a country that currently has some of the most expensive engineers in the world sitting around for months doing nothing when they should be building a bridge because the Qatari’s are appear unmotivated to advance the project.

Ahmed needs a guiding hand that he can respect, trust, and know has the show’s best interests at heart (and by proxy, Ahmed). Right now, there is a not a single HoD who can do that because either they’re incompetent (ATP) or ATP won’t let them (everyone else).

My next blog could easily be called It’s “A Mad Mad Mad Mad World.”

In ‘ATP land’, it really is.

Jordan or Qatar

Do The Right Thing!


Yesterday’s meeting lasted over two-and-a-half hours.

It revolved around two things;

  1. Ahmed’s decision to move to Qatar.
  2. Where we shoot episode 12 and why.

Ahmed has apparently insisted the whole production be moved to Qatar with the intention of filming episode 12 in October. He does not seem to understand that this is not possible.
What he is forgetting is that we have no locations there, we have not recced them (and since Qatar’s oldest building dates back only 65 years it is doubtful we will find a suitable courtyard for episode 12), that we have no crew ready there, that if we move Simon and Chris may quit because they will have had enough, that we will could lose our DoP, that because it is so much more expensive there our budget will effectively be slashed by about 80%, the list goes on. But I do understand that Ahmed is desperate, and I fully understand why.

At the meeting, Talal asked everyone (international and ATP crew) – one at a time – what everyone thought and everyone agreed: Episode 12 *has* to be shot in Jordan. He then asked what people would do if the shoot was moved to Qatar. Everyone said they’d quit with the exception of Ray and myself. Ray said he wanted to stay. I said I was undecided but would back up the quitting story if Ahmed asked me directly because we need to appear unanimous on this point.

I was told by people who have had more meetings with Talal, that this was the first time one of Talal’s meetings was a discussion and not a lecture. I can believe that; after his $250K fortress screw-up, he needs us on his side.

Talal told us he will be going to meet the studio (investors) on Wednesday. He suggested that Simon and Chris and Anthony also fly out and try to meet the studio (obviously a ploy to make it look like we are on Talal’s side). Talal’s ulterior motive aside, my personal feeling is that this is inappropriate.

Going to the studio instead of going to Ahmed will look like they are trying to go over Ahmed’s head when they should go to him first. Yes, Episode 12 needs to be shot here, but instead of focusing on that — and I feel, perhaps wrongly, that that is what everyone is doing — they should focus on making Ahmed feel better because there are genuine reasons for him to be upset.

Ahmed is young but he’s no fool. He will know he has over-reacted (though he was right to react). The international crew needs to let Ahmed off the hook. They need to say that they’re impressed he did not lose his temper before now. They need to talk to him like one human to another and say, “Yes, there are problems, but they can’t be solved overnight. So how about if we continue to shoot episode 12 in Jordan while setting up episode 1 in Qatar? That way the investors will see movement”.

I shared my thoughts with Andrew. He felt I had a good point. I also said that by focusing on just getting Episode 12 shot back here, and aiming for six weeks to start shooting, we were just setting ourselves up for failure again if ATP did not deal with their cashflow and their procurement problems. If this is not done, six weeks from now we would be exactly where we are now. But now we – the English crew – would also look like fools for having suggested it could be done in the first place when; that given events of the last three months we should know better.

Chris has vanished. He is not answering is phone or Skype. Simon has been asking where he is, either to draw more attention to his absence or because he is genuinely worried.
Everything is on hold today. Nothing is moving forward. All we can do is wait and see.

Qatar = 1 Jordan = 0


Everyone is despondent.

Simon and Chris got back from a meeting with Talal. Chris has had an email from Ahmed. Issam has spoken to Ahmed.

All the ATP bullshit has finally gotten to Ahmed and he has gone on the warpath. He is now insisting the whole shoot move to Qatar. Three months of prep for Episode 12 (mostly consisting of delays by ATP) now has to be scrapped because Episode 12 is a location shoot and Qatar has not been recced for suitable locations (and that’s assuming it even has any which is unlikely in most instances).

No-one thinks Episode 12 should be shot in Qatar other than Ahmed. Not even the English crew. Because while we are all believe that ATG is possibly pocketing a big chunk of the budget, what’s left will be worthless in Qatar.

There’s going to be a meeting at 5pm in which Talal will be updating HoDs on what is to happen next. Odds are he will be going to Doha to try and meet the investors and possibly Ahmed. But that will be awkward. Ahmed knows about Tala’s fraudulent claim that the fortress will cost USD$250,000. Talal has basically screwed himself and his own company by being so absurdly greedy.

Now he has to deal with the wrath of Ahmed, who has very little experience of how the industry works. Ahmed has a lot of responsibility given he is the front-man for the largest show ever made in the Middle East, and he’s only 26-years-old, so I don’t blame Ahmed. I’d be just as angry in his shoes and I have 28 years experience behind me.

In short, there are three groups here – the Qatari investors, the Jordanian producers, and the English creatives, and none of them trust each other, respect each other, or know how to work with each other. There are too many cooks, too many egos, and it is killing the show.

The only solution is for someone new to step in — someone motivated by integrity, honesty, and a capacity to see all sides of the fence, but most importantly someone who will take the time to listen to and understand all three cultures. But that’s not going to happen, because unfortunately there is not one single person on this show that can do that. And ATG would never allow someone new on board with such credentials.

Chances are, this show will not survive being made by three such disparate groups.

The meeting at 5pm will bring us one step closer to do or die. But it may be a week before we know the real answer. And even then, odds, are, it’ll be no answer at all.

To Doha Or Not To Doha?


I was ill yesterday so didn’t go into work. Not that anything would be happening.
Today was supposed to be crunch day. After listening to Ibrahim promise repeatedly last week that timber, steel, tools and consumables would be delivered last Thursday, then Saturday, then Sunday, today nothing had arrived.

So I went to see Ibrahim this morning and he told me “in confidence” what has happened. According to him, he received a call last night from Ahmed saying that the production now had to be moved to Doha. Specifically, there were two options;

Episode 12 continues to film in Jordan but the rest of the series shoots in Doha (in which case episode 12 would not shoot until about August 8th)

  1. The entire series moves to Doha.

As a result of this conversation with Ahmed, everything was now on hold.

Let’s backtrack…

Last week, it was common belief amongst the crew that a large tranche of money was due yesterday from the Qatari investors (ATG told us this – of course, there’s always the possibility they might be lying). This money was needed to pay for everything that was to be purchased this week. However, it was also common knowledge that Talal had allegedly massively screwed up by telling Ahmed (who visited last week) that the fortress set was going to cost USD$250,000 (!) when Ahmed already knew it was only costing USD$8,000 because the designer had told him so!!! That was when the penny appeared to drop with Ahmed just how big a crook Talal might be. So Ahmed returned to Doha last Wednesday, and it looks like he reported back to the investors who then decided to move the whole shoot to Doha to put a leash on the now underline;”>very suspect ATG.

So now we jump forward less than a week and everything could be about to fall apart.
Ibrahim told me that if we move to Doha then we need to go there as soon as possible and get a sense of what resources really are available. Ahmed has told him everything is available there. Ibrahim is sceptical. I said I was certain Ahmed was wrong.

Ibrahim also expressed his misgivings about the budget – insofar as it has gone wildly out of control. I was amazed when he alleged that he had worked out the budget with Ahmed. And that Ibrahim had relied upon Ahmed’s word because Ibrahim had not read all the scripts (!!!). Ahmed allegedly told him there would only be a handful of effects needed and between them they would work out a VFX budget of USD$280,000!!! I’d say that’s 1/20th of what is needed (and that’s me being conservative).

That’s when the penny dropped with me: that if Ibrahim is telling the truth, Ibrahim really has no clue how to do a budget and if what he says about working the budget out with Ahmed is also true, then Ahmed knows even less (I hadn’t known up till then that he had been involved in the budgeting).

I offered to help Ibrahim in any way I could. At this point I see no point in being difficult. And it might help me to get to the bottom of what might really be going on.

The entire English crew has struggled to understand the bizarre logic of ATP. I could guess, but I don’t think I need to. It seems pretty obvious what might be going on. But again, the question is why? I mean, if we can all see it, who won’t?

Right now, Simon Hunter and Chris Richmond are meeting with Ibrahim to discuss what is happening and to demand their wages. Chris has not been paid for something like five weeks. Simon has not been paid for something like nine weeks. Issam has not been paid for something like three months! I believe this is because ATP ‘controls’ people by not paying them. And they are relying on these three guy’s commitment to the show to not quit. But that may be changing right now.

Curiously, Ibrahim told me as I was leaving the office that I would definitely be going to Doha because I’m the most experienced person on the show. Was he flattering me? Of course he was.

I like Ibrahim in principle. As the saying goes, “Innocent until proven guilty”. But as Abdul keeps telling me, “Trust no-one at ATP”. So I’ll wait and see.

Today may really be the day…