Talal flew out to Qatar Tuesday night. I believe he comes back today.
Wages are late again. I should have been paid Wednesday, Dominic and Ray, Tuesday. Andy on Saturday.
I emailed Jude (politely) and she emailed me back saying Accounts were promising two payments on Sunday. I had to ask if that was two people (entirely possible with this company) or two payments per person. She said the latter.
Chris then emailed Fadi. Perhaps he had not noticed that I had already emailed Jude. He wanted a promise we would be paid. Here is his email and Fadi’s response.
Click to enlarge
So, no answer then to the question actually being asked. Can’t say I was not surprised. I’m coming to realise this is standard practice for ATG.
The fact is we do not know if we are going to get paid Sunday because it is entirely possible even Talal does not know right now. Why? Because the way I see it there are two options;
- Everything returns to normal, the Studio gives Talal the next tranche of money, we get paid, and everything carries on as before.
- Talal does not get the money and we do not get paid.
Either way, there’s a problem. Because while we may get paid now, the show will still be in trouble.
I think it is blindingly obvious now what the problem is.
Historically, ATP gets paid to make a show. Say USD$2 million. They pocket their 20% fee of $400K. Then they run up nonsense expenses for a further chunk of the budget. Then they hand over the remainder to Ibrahim who must then shoot the show like a student film^ on what’s left.
They then tried to apply that formula to this show, but there’s a problem.
This week, I was told by Ibrahim that the first season’s budget was done by Ibrahim and Ahmed. Ibrahim told me he hadn’t even read the scripts (don’t forget that this guy is the Producer and here he is telling me he did a budget without reading the scripts!!!). He then claimed he relied upon Ahmed telling him what was needed. As I understand it, they then arrived at a budget of about $37.5 million then applied a $10 million fee. On this basis a deal was struck and ATP were committed to making the show for $37.5 million.*
Only problem was, this budget was for Qatar and when they brought in the professionals to re-budget the show, the budget shot up. Specifically, the art dept cost was about $11 million and visual effects about $6 million. Once all the other departments were added, the budget was way more than $37.5 million.
As a result, Talal pushed to have as much of the show moved to Jordan as possible and then, while production dragged, he began taking his fee and syphoning off whatever else he could get away with. Only problem was, they needed $37.5 million to do the show in Jordan too. So Talal and Fadi allegedly embezzled what they could, while leaving Ibrahim minimum resources to produce the show.
What doesn’t make sense is why they started misappropriating funds when they needed it all to make the show. I can only assume that either;
- They really did not believe it could be done for the money – in which case they are idiots because clearly it could.
- They never cared about the show and just set out to plunder every dollar they could. Which is even more idiotic because they would have made a lot more money if they’d set out to make the best show possible and had run it for five years.
Anyway, whatever their excuse, Ibrahim now acts like he is paralysed. He will not commit any funds. Meantime they have spent $3-6 million (possibly more) and shot nothing.
Now the studio is demanding the production move back to Qatar. Chris and I have done the math. Qatar is about 6 to 8 times more expensive than Jordan. So if the show is going to cost $37.5 million in Jordan, it is going to cost about $250 million in Qatar!
ATP signed a contract.
ATP *has* to deliver.
ATP is screwed.
Maybe this is why ATP seems to be quietly planning the set-up other service companies. They may mean to transfer all assets to them. They have local crew on miniscule wages. They might be abandoning ship!
As for Ahmed? Chris and Simon are not talking to him. They found his emails to be offensive so they are giving him the silent treatment in the hope he’ll learn some respect. But Bob told me that Qatari’s don’t do respect because they do not have to. I suggested to Chris that if Talal fails they should get on a plane and visit Ahmed to talk friend-to-friend with him.
So it’s wait and see time again. All we can do now, is see what happens on Sunday.
^ I don’t say this lightly. Aside from going to film school in my 20’s, I also taught at film school for several years, so I was very aware of the intriguing similarities between ATG’s work ethic (and misplaced arrogance) to those of many film students that I taught.
* There follows an audio recording of the conversation I had wth Ibrahim in which he blames Ahmed for the ill-conceived budget, explains why the budget does not work (not his fault, of course), and states that he never read the scripts!